Showing posts with label Joel Crothers. Show all posts
Showing posts with label Joel Crothers. Show all posts

Friday, January 13, 2017

Episode 142: Stop



Friday, January 13, 1967

Note: The episodes’ official numbering includes skipped numbers for pre-emptions, in accordance with their numbering system (so that one could look at the number of an episode and know what day of the week it aired on). I have elected to number the episodes by what episode it actually is, but I will note the official numbering also.

This is the 142nd episode, but the official number is 145 or 10.

My name is Victoria Winters. A strange force has caused me, against my will, to bring a painting to Collinwood—a painting so weird and mysterious that no one—not even the man who painted it—can explain it. For one, it holds an unusual fascination.

David is looking at the painting when Laura comes into his room. She wants to go out to lunch, but he doesn’t feel like eating. She thinks he’s disturbed, which he adamantly denies (in a disturbed way). He tells her he thinks the painting is trying to tell him something. Something bad.
He wants to know what it is.
David says he looks at the painting and sees light coming for him.
She asks him to go for a walk, but he wants to be alone.

Sam hasn’t read the morning paper in a week. He’s got his own disaster going on. He doesn’t want to paint. “I can see myself having an exhibition of fifty paintings of Laura Collins surrounded in flames.”

Later, Laura stops by, asking for Sam, but he’s not at home.
Laura is curious what Sam is working on now.
Maggie wonders whether Laura can explain Sam’s obsession with her.
Sam arrives home.
Maggie says she’s meeting Joe. “I want to get there early so I can see the surprised look on his face.”
Laura asks Sam why he did that atrocious painting of her.
Sam wants to know why he’s painting her. He shows her the latest painting.
Laura is not happy, and neither of them has answers for the other.
“I’m just saying that every time I start to paint, it comes out—you!”
Laura wants the paintings destroyed. She wants Sam to stop painting it. She says he will stop painting it.

Maggie and Joe arrive back at the cottage.
Maggie is tired of worrying about her father. She’s thinking of leaving town to get away from her nursemaid life. She says she doesn’t see much future for herself in Collinsport.
Joe says he’s there.
They kiss before going to look for her father.

Laura comes into David’s bedroom. The portrait glows, but only when Laura isn’t looking at it. She leaves.

Maggie and Joe bring Sam home, drunk as usual.
Joe says good night and goes.
Maggie says she’ll make some coffee.
Laura thinks about Sam.
Sam drops his cigarette on the newspaper (the newspaper was mentioned in the first act, by the way).


        Cast, In Order of Appearance


Victoria Winters . . . . . . . . . . . . . . . . . . . . .   Alexandra Moltke
David Collins . . . . . . . . . . . . . . . . . . . . . . . .  David Henesy
Laura Collins . . . . . . . . . . . . . . . . . . . . . . . .  Diana Millay
Sam Evans . . . . . . . . . . . . . . . . . . . . . . . . . .  David Ford
Maggie Evans . . . . . . . . . . . . . . . . . . . . . . . .  Kathryn Leigh Scott
Joe Haskell . . . . . . . . . . . . . . . . . . . . . . . . . . Joel Crothers

Fashion by Ohrbach’s
Directed by John Sedwick
Story created and written by Malcolm Marmorstein

Thursday, December 22, 2016

Episode 127: The Jackpot Question



Thursday, December 22, 1966



 
Note: The episodes’ official numbering includes skipped numbers for pre-emptions, in accordance with their numbering system (so that one could look at the number of an episode and know what day of the week it aired on). I have elected to number the episodes by what episode it actually is, but I will note the official numbering also.

This is the 127th episode, but the official number is 129.
 
My name is Victoria Winters. Life at Collinwood is serene for me now; danger has passed. But for one member of the Collins family, it’s just beginning.



Sam insists he’s seen Roger’s wife, Laura. This could be the end for both of them. Sam brings up the hit and run. Maybe Burke brought her to town.

Laura’s been asking questions about the family, but she hasn’t given any information to Maggie—just that her family would be shocked to see her.

Sam asks whether Laura knows he saw the accident.

Roger doesn’t know. They tried to avoid the subject of the accident.



Maggie invites Joe in for a nightcap. 
She tells him her worries about Sam and the mysterious blonde.

Sam seems to be afraid of her.

Joe thinks maybe she’s just an old flame of Sam’s.

Maggie hopes it’s that simple, but she’s worried.


Roger returns to Collinwood. He starts to make a phone call but changes his mind.

Liz comes down. He tells her about Sam’s news that Laura is back. 
She asks what Laura is doing there. 
Roger says that’s the jackpot question.

Roger calls the hotel and asks whether Laura Murdock is registered there.

She is.

Liz is worried that she might want to see David—an idea she doesn’t like.

She thinks Roger is afraid of Laura.

He denies this.



Sam comes home.

Joe says he should be going.

Sam says he needs to paint. He has an idea, and he needs to get it on canvas.

Maggie says goodnight.

Sam stares a little too long at the flame of a match before blowing it out. He begins to paint.



The next morning, Roger calls the hotel again, but Laura has already gone out. He notes how unusual that is—she used to sleep till noon.

Maybe she’s on her way there.


Maggie wakes Sam up.

She examines his painting—not his usual style, it looks like a woman in flames.

 

Cast, In Order of Appearance




     Victoria Winters . . . . . . . . . . . . . . Alexandra Moltke

     Roger Collins. . . . . . . . . . . . . . . . . Louis Edmonds

     Sam Evans. . . . . . . . . . . . . . . . . . . David Ford

     Maggie Evans  . . . . . . . . . . . . . . . . Kathryn Leigh Scott

     Joe Haskell . . . . . . . . . . . . . . . . .  Joel Crothers

                            

      Fashion by Ohrbach’s
      Directed by Lela Swift
      Written by Ron Sproat