Showing posts with label Burke Devlin. Show all posts
Showing posts with label Burke Devlin. Show all posts

Wednesday, January 4, 2017

Episode 135: The Body at 443 Maple Street



Wednesday, January 4, 1967


Note: The episodes’ official numbering includes skipped numbers for pre-emptions, in accordance with their numbering system (so that one could look at the number of an episode and know what day of the week it aired on). I have elected to number the episodes by what episode it actually is, but I will note the official numbering also.

This is the 135th episode, but the official number is 138.


My name is Victoria Winters. The quiet of the night at Collinwood has been shattered by some news—news so startling and strange that it is beyond belief.



Roger thinks that the report about Laura’s death is erroneous. George says it was a positive identification.

The body was found in what was left of her apartment. Everyone was accounted for except Laura. George would like to talk with her.

Roger wants to make sure George doesn’t plan to give her the third degree. George says he won’t; there’s no accusation being made.

Roger takes George to the cottage.

He asks her when she was last at 443 Maple Street. She tells him about her travels.

He tells her about the fire.

He tells her the body was identified as Laura Collins.

Roger wishes he wouldn’t be so melodramatic.

Laura tells him no one was staying in her apartment, and she doesn’t know who it could have been.

The sheriff leaves but Roger stays behind.

Roger wonders whether this will affect her taking David. She says she has another place she plans to take David.



Burke drops Carolyn off, and tells her how cute her nose is. They kiss. She doesn’t know whether she feels younger when she’s with him or more mature.

She decides to have him come in.

Burke is laying it on thick with her. They snuggle next to the fire. He offers to take the suitcase down to Laura’s cottage on his way out.



Roger returns to Collinwood and sees Laura’s suitcase.



Carolyn asks whether he’s being thoughtful or he just wants to see Laura. He says it’s just business. Carolyn says she doesn’t know why she lets him get away with so much and he says he’s irresistible. They are kissing when Roger comes in.

Roger says Burke isn’t welcome. Carolyn is amused by the whole thing. Roger says he represents the destroyer of this family and Carolyn along with it. He says Burke is about as fascinating as the grim reaper.

Burke says Roger has played the grim reaper often enough. Burke, on the other hand (who has been lying right and left here), represents honesty and truth. He’s willing to speak the truth anywhere (but he doesn’t).

Burke and Carolyn say goodnight. She notes he’s very determined to deliver the suitcase.



Laura is communing with the fire when Burke arrives.

He tells her what a treat it is to see her and how rich he is. He’s not someone to be made a fool. She doubts that could happen to him. He doubts it too, but he wants to be certain.



Roger asks Carolyn whether she took the suitcase to Laura. She says it’s on his way.

He realizes Burke took it.

He says he wishes she hadn’t done that.

She says she’s sorry, she didn’t realize—(She never does, does she? A convenient excuse.)



Burke asks Laura for a definite commitment. She says she can’t do anything till after she has David. If Roger knew he was there, it would ruin her getting David.

Burke says he wanted revenge against her, but seeing her again makes him feel inexplicably different. She owes him years of life he never had, love he never had.

He starts pawing her and doesn’t listen when she tells him no.

Roger bursts in with a gun.

  
        Cast, In Order of Appearance





Victoria Winters . . . . . . . . . . . . . . . . . . . . Alexandra Moltke

Sheriff George Patterson . . . . . . . . . . . . .  Dana Elcar

Roger Collins . . . . . . . . . . . . . . . . . . . . . .  Louis Edmonds

Laura Collins . . . . . . . . . . . . . . . . . . . . . .  Diana Millay

Carolyn Stoddard . . . . . . . . . . . . . . . . . . .  Nancy Barrett

Burke Devlin . . . . . . . . . . . . . . . . . . . . . . . Mitchell Ryan



Fashion by Ohrbach’s

Directed by Lela Swift

Written by Malcolm Marmorstein


Wednesday, December 28, 2016

Episode 130: Unfinished Business

 Wednesday, December 28, 1966

Note: The episodes’ official numbering includes skipped numbers for pre-emptions, in accordance with their numbering system (so that one could look at the number of an episode and know what day of the week it aired on). I have elected to number the episodes by what episode it actually is, but I will note the official numbering also.

This is the 130th episode, but the official number is 133.



 My name is Victoria Winters. Someone who used to live in Collinsport has returned, and her return has affected the lives of many people—particularly one man, whose life was changed by her years ago.

Burke tells Blair that he has hopes for vindication because of Laura’s return.
 
Just as one man is driven by a desperate kind of hope, so is another driven by confusion—and fear.

Maggie asks Sam if he wants some breakfast as he covers up his painting. He says it would just stick in his throat. She tells him to come over to the inn for lunch.
When she tries to look at his canvas, he stops her. 
She says he always shows her his work. She wonders whether this has something to do with the woman. 
He tells her the woman is Laura Collins.
 
Burke goes knocking on Laura’s door again and gets no answer.
Burke asks Maggie about the woman. Maggie says she’s Laura Collins. Burke wants to know about her behavior.
Maggie thinks he hasn’t gotten Laura out of his system. She points out Laura is married. Burke says that never was a marriage.
Sam comes in and Burke tells him Laura is the one person who can change everything.
Burke leaves and Maggie wants to know what he meant. Sam says Burke didn’t mean anything. He just likes to hear the sound of his voice when he acts tough. She wants to know why Sam acted as if he didn’t know that Laura was back. What does Laura Collins mean to him?
Sam decides to leave.
Laura comes in as he gets up to go. 
They make some small talk and he asks why she came back. She tells him “Unfinished business.”
He tells her it’s nice to have her back and says goodbye.
Laura says she remembers Maggie as a kid. Maggie ’fesses up to trying to find out who Laura was. She says Burke is anxious to see her.
Laura says if Burke asks Maggie about her again, to tell him she hasn’t seen her.
Burke comes in.
He asks whether they can talk. He’s been waiting ten years for this moment, but now he finds himself at a loss for words. He says she’s changed, but he isn’t sure how.
She’s come back to town to do what has to be done.
This gives him hope. He lights a cigarette, and she’s drawn to the match flame. 
He blows it out, not noticing.
She says she’s come back for David.
Burke says he and David are good friends. He’s the kind of son Burke would have liked to have, that he and Laura could have had. Laura says yes, exactly the kind.
Burke says he wants to prove his innocence.
Laura says she has to solve her own problems before she can help him with that. They say goodbye.
 
Sam is painting when his hand begins to hurt. 
He yells “No!” at the painting.
         Cast, In Order of Appearance


Victoria Winters . . . . . . . . . . . . . . . Alexandra Moltke
Burke Devlin . . . . . . . . . . . . . . . . .  Mitchell Ryan
Sam Evans. . . . . . . . . . . . . . . . . . . .  David Ford
Maggie Evans  . . . . . . . . . . . . . . . . . Kathryn Leigh Scott
Laura Collins  . . . . . . . . . . . . . . . . . Diana Millay


Fashion by Ohrbach’s
Directed by John Sedwick
Written by Malcolm Marmorstein