Friday, September
23, 1966
My name is
Victoria Winters. Another touch of blackness has been added to the dark shadows
that fill the halls of Collinwood. A shocking death has brought the past alive,
carrying it to the doors of the great mansion on Widow’s Hill.
Burke storms in past Liz,
wanting to know where Roger is, and he refuses to leave. Liz tells him he’s a
very rude young man. He says he is when he has to be. He learned his manners in
a waterfront shack. He sits down to wait and continues to be rude, which Liz
objects to. She wants to know why he wants to see Roger. He brings up Bill
Malloy’s death.
He admires the grandeur of the
room, even though he’s just noted he could buy the house twenty times and never
feel it. He offers to buy a chest.
Liz tells him the sheriff
called about him, and he said to call him if Burke came over. Burke tells her
to go ahead and call the sheriff. He’s not leaving.
Liz says they’ll both wait for
Roger.
Roger is at the Blue Whale,
calling Maggie to ask where Sam is. Maggie doesn’t know, but Sam comes in on
cue and orders a drink. Sam and Roger sit down. Roger wants to know what Sam
told the sheriff.
“Am I to recite my catechism
now?” Sam asks. He tells Roger that he told the sheriff what they agreed on.
Sam tells him Burke is on the
warpath.
Roger says Bill was a friend
of the family, which amuses Sam. “The only time he was a friend to you was when
he very conveniently died,” Sam tells him.
Liz decides to make tea and
treat Burke like a guest, which confuses him greatly. She makes small talk,
asking him about his travels. Vicki comes in and she leaves her to entertain
Burke while she gets the tea. Vicki asks him what he’s doing there.
“I’m not exactly sure. I think
I’m having tea.”
“Burke, the last time I saw
you, you weren’t exactly planning a social tea at Collinwood.” She wants to
know if he’s there to accuse Roger of being involved in the death of Bill Malloy.
She says it’s probably none of
her business. He says it should be, reminding her of how he’s advised her to
leave since the first time they met.
“What are you going to do?”
“Reach the end of a road. Erase
my debts. Settle my accounts. I’ve waited ten years for this, Vicki.”
“But Mrs. Stoddard—doesn’t she
know?”
“She knows. I almost wish—” He
asks how David is, noting he’s a nice kid.
Vicki says maybe he should
think of him now. Roger is his father.
Burke advises her not to get
involved. Her getting hurt isn’t part of his plan. He wishes there weren’t all
these pressures and they could just sit and talk.
“About Collinwood?”
“Certainly not. There are
other things in this world besides this big, dark house. There are people and
place—excitement—and nothing to do with Widow’s Hill.”
Sam tells Roger about his
conversation with Burke at his hotel room. He says Burke is determined to find
the killer of Bill Malloy. Sam thinks he convinced Burke that he didn’t do it,
so Roger is next on his list.
Sam asks Roger for some money
to leave town, but Roger says he’s no longer interested in that, and he isn’t
sure that Sam didn’t kill Bill.
Roger comes back, having
changed his mind about the money, but Sam has changed his mind too. “It seems
we’re guilty of the same vice.”
Burke tells Vicki about some
of his travels.
Vicki tells Burke how she
wanted to be a bareback rider on a beautiful white horse in the circus.
Burke asks if she ever tried. How could she? She was in the foundling home.
Burke asks if she ever tried. How could she? She was in the foundling home.
Burke says she could have run
away. Vicki tells him she isn’t the running-away type.
Liz arrives with the tea and
Burke goes to help her with it.
Roger arrives home, and Liz
tells him Burke is there.
Cast, In Order of Appearance
Victoria Winters . . . . . . . . . . . . . . .
. . . . . . . . .Alexandra Moltke
Elizabeth Collins
Stoddard . .
. . . . . . . . . . . . . Joan Bennett
Burke Devlin. . . . . . . . . . . . . . .
. . . . . . . . . . . Mitchell Ryan
Roger Collins. . . . . . . . . . . . . . . .
. . . . . . . . . . Louis Edmonds
Sam Evans. . . . . . . . . . . . . . .
. . . . . . . . . . . . . David Ford
Fashion by Ohrbach’s
Directed by John Sedwick
Story created
and written by Art Wallace
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