Thursday, October
27, 1966
My name is
Victoria Winters. For more than one hundred and thirty years, the foreboding
mansion of Collinwood has stood on the top of Widow’s Hill like a giant headstone
marking the watery graves of fishermen who have perished in the sea below. It
is a monument to one man—Jeremiah Collins—and his dreams. But when men dream,
spoilers always seem to lurk nearby, ready to destroy their dreams, turning
them into nightmares—even in a small, family town like Collinsport.
Burke asks James Blair whether
the properties he’s buying are worth the price.
“If you’re asking me are the
prices fair, I can answer in one word: yes. On the other hand, if you’re asking
is it worth it, only you can answer that question.”
“It’s worth it.”
“Well, then, you’ll be happy
to know that your bid is in on the Logansport Fishing Industries.”
“Good. Has anyone else made a
bid?”
“Not so far. Tell me, are you
dead set on going ahead with this deal?”
“If it kills me.”
Roger tells Liz that Vicki is
a dangerous young lady to have in this house. She has delusions and an
overactive imagination.
Liz isn’t so sure.
Roger says Vicki threatens
David’s safety. She doesn’t like him, and Roger thinks he’s afraid of her
sometimes.
Liz scoffs at this. It seems
to her it would be the other way around.
Liz receives a call from her
lawyer who says that Burke just made a bid for the Logansport Fishing Fleet and
Cannery.
Liz says she’ll top his bid.
Roger says Burke will just
raise his bid. She can’t win.
Burke has endless resources. What does Liz have?
Liz says there was a time she
depended on Roger; now, she’s not so sure.
James tells Burke that Liz will
put up a mean fight. She’s quite a lady.
Burke says she has nothing to
fight with.
Tony says she has the men who
work for her. They’re loyal.
Burke says loyalty is for
sale. In fact, he’s planned a little meeting.
Burke’s guests arrive—some of
the men who work for the cannery.
Burke announces he’s buying
the Logansport operation and he needs men.
Amos says that he’ll leave the
building of new enterprises to younger men. The Collins family has always
treated him right. The men get up to leave, but Burke asks them to stay and
hear him out.
Blair tells them they would have profit sharing. (Come on, Liz,
you don’t have profit sharing?)
Liz tells Roger they won’t be
alone. “We have people Burke could never have, people he could never buy,” she
tells Roger.
“Forget loyalty,” Burke says. “That’s
not the issue.” If they don’t take his offer now, they’ll find it very hard to
find jobs when the Collins cannery closes.
Roger suggests that Burke will
try to steal their men.
Amos arrives to confirm this.
He tells them about Burke’s meeting.
After Amos leaves, Roger tells
Liz that when money and loyalty are matched in the same ring, there’s always a
quick decision.
Blair tells Burke that Amos
probably went straight over and told the Collinses all about it. Burke says he
hopes so.
He thinks he got at least one
of the guys. When the rest see how well he’s doing, they’ll fall in line.
Blair says he’ll go back to
Bangor. Burke warns him against any slipups.
Blair says the only slipup
could be Amos Fitch. Blair doesn’t think his loyalty can be bought at any
price. Burke gives Blair a thousand dollar payment, saying he knows exactly how
expensive loyalty is.
After Blair leaves, Burke
receives a call from Liz, who tells him she’ll fight him if it takes every
penny she has. (That might not be the best thing to say.)
When she hangs up, Roger says
they’re committed to a fight for survival.
Liz says, “That’s the way it
is, Roger. It’s Burke Devlin—or it’s us.”
Cast,
In Order of Appearance
Victoria Winters . . . . . . . . . . . . . . .
. . . . . . Alexandra Moltke
Burke Devlin . . . . . . . . . . . . . . .
. . . . . . . . . Mitchell Ryan
James Blair . . . . . . . . . . . . . . .
. . . . . . . . . . . John Baragrey
Roger Collins . . . . . . . . . . . . . . .
. . . . . . . . . Louis Edmonds
Elizabeth
Collins Stoddard.
. . . . . . . . . . . . . Joan Bennett
Amos Fitch . . . . . . . . . . . . . . .
. . . . . . . . . . George Mathews
Fashion by Ohrbach’s
Directed by Lela Swift
Written by Francis Swann
No comments:
Post a Comment