Monday, January
2, 1967
Note: The
episodes’ official numbering includes skipped numbers for pre-emptions, in
accordance with their numbering system (so that one could look at the number of
an episode and know what day of the week it aired on). I have elected to number
the episodes by what episode it actually is, but I will note the official numbering also.
This is the 133rd episode, but the official number is 136.
My name is Victoria Winters. For me, it is a peaceful night at Collinwood. The great house is quiet, and no unseen threats exist in shadows. But for one member of the Collins family, it is a night of fear and unanswered questions.
This is the 133rd episode, but the official number is 136.
My name is Victoria Winters. For me, it is a peaceful night at Collinwood. The great house is quiet, and no unseen threats exist in shadows. But for one member of the Collins family, it is a night of fear and unanswered questions.
Roger is pacing when there’s a
knock on the door. Richard and Frank Garner have arrived.
Roger tells them he wants to
start divorce proceedings. Richard says that Roger mentioned a complication on
the phone. Roger says he’s in the worst trouble of his life.
Roger doesn’t want to say
right away what this trouble is, so Frank asks what grounds he wants to use for
the divorce. Roger doesn’t care; Frank can just pick something. Laura wants
custody of David—and nothing else.
Richard wants to know what
Elizabeth thinks about this. Roger says she might throw up a couple of
roadblocks at first. Richard points out that he can’t work against Elizabeth’s
interests; after all, she is his
client.
Roger suggests Frank might
like to see Vicki. Frank calls up to her and she comes down so quickly that she
must have been on her way already. They go away to talk.
Roger tells Richard that Burke
might try to use Laura to reopen the manslaughter case.
“I’ve been laboring under the
impression that you were innocent of that manslaughter charge.”
Roger says he is, but Burke
could work on Laura; she was always susceptible to him.
Frank tells Vicki that he and
his father are opening up a branch office in Collinsport. He also says that
David may be going away with Laura—which could put her out of a job. (Well, she’s
also there as companion to Liz and Carolyn.)
Sam starts to paint, but
quickly covers up the canvas when he hears a car pull up.
It’s Maggie come home. She
wants to look at the painting, but he won’t let her. They go through another
round of “What’s wrong?” She wants to know whether it has anything to do with
Laura.
How well does he know Laura?
He says he knew her well
enough before she married Roger and moved out of his social sphere. She thinks
he isn’t telling her everything, but she guesses she’ll have to accept his
answer.
Richard wonders why Roger is
in such a panic. Roger denies being in a panic. They discuss the divorce.
Richard says Laura needs a lawyer.
They go into the hall and fill
Frank in.
Vicki and Frank say goodnight.
(No kiss.)
Vicki asks Roger whether she’ll
have a job much longer. (Really, she should ask Liz. She doesn’t work for
roger.)
Roger says Laura will live
there for a while so he and Laura can get used to each other.
Vicki says David is frightened
of Laura. He told Vicki about his nightmare, where he and Laura were standing
in fire.
Sam is also thinking about
fire. Maggie wonders why he’d want to paint fire. Sam says it’s very interesting; there are a
lot of interesting colors in fire.
Maggie goes to bed and Sam
broods. He drinks. He decides to go out.
Maggie hears him and calls
out, but he’s already gone. She pulls up the cover of the canvas.
Roger asks Vicki to help with
David and Laura. He also doesn’t think she has to lose her job there. He’ll
talk to Liz.
Sam returns home to find
Maggie sitting in the dark.
She tells him she looked at
the painting. She’s shocked by it. (Some would say that’s what art is supposed
to do.)
He says he can’t help painting
it, and he’s terrified.
Cast,
In Order of Appearance
Victoria Winters . . . . . . . . . . . . . . .
. . . . . Alexandra Moltke
Roger Collins . . . . . . . . . . . . . . .
. . . . . . . Louis Edmonds
Richard Garner . . . . . . . . . . . . . . .
. . . . . . Hugh Franklin
Frank Garner . . . . . . . . . . . . . . . .
. . . . . . Conard Fowkes
Sam Evans . . . . . . . . . . . . . . . .
. . . . . . . . . David Ford
Maggie Evans . . . . . . . . . . . . . . . .
. . . . . . . Kathryn Leigh Scott
Fashion by Ohrbach’s
Directed by Lela Swift
Written by Ron Sproat
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