Tuesday, January
10, 1967
Note: The
episodes’ official numbering includes skipped numbers for pre-emptions, in
accordance with their numbering system (so that one could look at the number of
an episode and know what day of the week it aired on). I have elected to number
the episodes by what episode it actually is, but I will note the official numbering also.
This is the 139th episode, but the official number is 142.
My name is Victoria Winters. A strange power has taken hold of a man’s hand and mind and caused him to use his talents in a way he finds impossible to explain.
This is the 139th episode, but the official number is 142.
My name is Victoria Winters. A strange power has taken hold of a man’s hand and mind and caused him to use his talents in a way he finds impossible to explain.
Sam hates his painting.
He decides to throw the painting into the sea, but Vicki stops him, saying she wants it.
He decides to throw the painting into the sea, but Vicki stops him, saying she wants it.
They argue with her for a bit
and then Sam gives it to her.
She asks about the area he’s left unpainted, but he has nothing to tell her about it.
She asks about the area he’s left unpainted, but he has nothing to tell her about it.
He thinks the painting should
be burned.
He says if she destroys it, which he’s sure she will, she should come back and tell him about it.
He says if she destroys it, which he’s sure she will, she should come back and tell him about it.
Vicki says she thinks this is
an important painting.
It’s almost as if the painting is the real reason she came there today.
It’s almost as if the painting is the real reason she came there today.
David tells Laura she seems more
like a movie star than a mother.
That’s probably why his father married her. David hopes he can find a girl just as pretty to marry someday.
That’s probably why his father married her. David hopes he can find a girl just as pretty to marry someday.
David wonders whether she ever
dated Burke Devlin, and why she didn’t marry him. David wonders what it would
be like to have him for a father.
Laura asks how David feels
about his own father.
He says he doesn’t like him
very much, because Roger doesn’t like or love him. That’s why he wanted Laura
so much.
Laura asks whether David would
choose to live with Laura or Roger.
Vicki arrives home with her
package and David wants to see it.
David takes the painting up to
his room.
Laura tells Vicki she shouldn’t
have brought the painting there.
Vicki says she felt compelled, as if she had no choice.
Vicki says she felt compelled, as if she had no choice.
Laura tells Vicki if she has
the chance to get the painting away from David.
Vicki visits David in his
room, as he prepares to hang the painting.
He hangs the painting.
Vicki says it does look like
it belongs in this room.
Laura comes in and says she’s
sorry but she’s going to do something David won’t like.
She tries to take the painting down, and he begs her not to. He says he won’t talk to her ever if she takes it, so she relents.
She tries to take the painting down, and he begs her not to. He says he won’t talk to her ever if she takes it, so she relents.
Sam returns home, three sheets
to the wind.
He’s so happy to be free of the painting. He wants to get started on a different one, one for a competition.
He’s so happy to be free of the painting. He wants to get started on a different one, one for a competition.
The painting in David’s room
glows and Laura’s large disembodied head appears to David, who screams at it to
stay away.
Victoria Winters . . . . . . . . . . . . . . .
Alexandra Moltke
Maggie Evans . . . . . . . . . . . . . . .
. . Kathryn Leigh Scott
Sam Evans . . . . . . . . . . . . . . .
. . . . David Ford
David Collins . . . . . . . . . . . . . . .
. . David Henesy
Laura Collins . . . . . . . . . . . . . . . .
. Diana Millay
Fashion by Ohrbach’s
Directed by John Sedwick
Written by Malcolm Marmorstein
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