Monday, January
16, 1967

This is the 143rd episode, but the official number is 146 or 11.
My name is Victoria Winters. A painting has caused great concern among those at Collinwood—particularly for one, who is the subject of the painting—and another, the man who painted it.
Laura causes Sam to drop his
cigarette onto the newspaper as he’s falling asleep.
Liz interrupts her.
Liz interrupts her.
Liz touches her shoulder.

Sam wakes up and tries to put
out the fire with his hands, which is not a good result.
Maggie comes in and
puts out the fire, covering it with a rug or blanket and stomping on it.

Liz asks Laura what’s wrong. Laura comes out of her trance and passes it off as being lost in thought.
Liz
thinks the expression on her face was frightening.



Maggie wraps Sam’s hands in
cold, wet towels and calls the doctor. She tells him it could have been worse.



Liz tells Laura they need to
take a look at where they stand. Liz doesn’t think she is making good progress
with David. His nightmares are growing worse.
Liz doesn’t understand why he
painted it; it’s not even his style.
Laura says she went to see Sam.
“He was vague and drunk and impossible.” And he started another similar
painting. He needs to stop. He’s ruining everything and she hasn’t much time.
Just that she hasn’t been able
to do what she set out to do.
Roger arrives home, and they
bring him into the conversation.
Laura blames the painting.

Roger arrives at Sam’s.
Sam says she has some kind of
hypnotic influence.
Roger wants him to stop
accusing Roger’s wife of impossible things.


Cast,
In Order of Appearance
Victoria Winters . . . . . . . . . . . . . . .
. . . . Alexandra Moltke
Laura Collins . . . . . . . . . . . . . . . . . . . . . Diana
Millay
Elizabeth
Collins Stoddard
. . . . . . . . . . Joan Bennett
Sam Evans . . . . . . . . . . . . . . .
. . . . . . . . David Ford
Maggie Evans . . . . . . . . . . . . . . .
. . . . . . Kathryn Leigh Scott
Roger Collins . . . . . . . . . . . . . . .
. . . . . . Louis Edmonds
Fashion by Ohrbach’s
Directed by Lela Swift
Written by Malcolm Marmorstein
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