Showing posts with label Dana Elcar. Show all posts
Showing posts with label Dana Elcar. Show all posts

Wednesday, January 4, 2017

Episode 135: The Body at 443 Maple Street



Wednesday, January 4, 1967


Note: The episodes’ official numbering includes skipped numbers for pre-emptions, in accordance with their numbering system (so that one could look at the number of an episode and know what day of the week it aired on). I have elected to number the episodes by what episode it actually is, but I will note the official numbering also.

This is the 135th episode, but the official number is 138.


My name is Victoria Winters. The quiet of the night at Collinwood has been shattered by some news—news so startling and strange that it is beyond belief.



Roger thinks that the report about Laura’s death is erroneous. George says it was a positive identification.

The body was found in what was left of her apartment. Everyone was accounted for except Laura. George would like to talk with her.

Roger wants to make sure George doesn’t plan to give her the third degree. George says he won’t; there’s no accusation being made.

Roger takes George to the cottage.

He asks her when she was last at 443 Maple Street. She tells him about her travels.

He tells her about the fire.

He tells her the body was identified as Laura Collins.

Roger wishes he wouldn’t be so melodramatic.

Laura tells him no one was staying in her apartment, and she doesn’t know who it could have been.

The sheriff leaves but Roger stays behind.

Roger wonders whether this will affect her taking David. She says she has another place she plans to take David.



Burke drops Carolyn off, and tells her how cute her nose is. They kiss. She doesn’t know whether she feels younger when she’s with him or more mature.

She decides to have him come in.

Burke is laying it on thick with her. They snuggle next to the fire. He offers to take the suitcase down to Laura’s cottage on his way out.



Roger returns to Collinwood and sees Laura’s suitcase.



Carolyn asks whether he’s being thoughtful or he just wants to see Laura. He says it’s just business. Carolyn says she doesn’t know why she lets him get away with so much and he says he’s irresistible. They are kissing when Roger comes in.

Roger says Burke isn’t welcome. Carolyn is amused by the whole thing. Roger says he represents the destroyer of this family and Carolyn along with it. He says Burke is about as fascinating as the grim reaper.

Burke says Roger has played the grim reaper often enough. Burke, on the other hand (who has been lying right and left here), represents honesty and truth. He’s willing to speak the truth anywhere (but he doesn’t).

Burke and Carolyn say goodnight. She notes he’s very determined to deliver the suitcase.



Laura is communing with the fire when Burke arrives.

He tells her what a treat it is to see her and how rich he is. He’s not someone to be made a fool. She doubts that could happen to him. He doubts it too, but he wants to be certain.



Roger asks Carolyn whether she took the suitcase to Laura. She says it’s on his way.

He realizes Burke took it.

He says he wishes she hadn’t done that.

She says she’s sorry, she didn’t realize—(She never does, does she? A convenient excuse.)



Burke asks Laura for a definite commitment. She says she can’t do anything till after she has David. If Roger knew he was there, it would ruin her getting David.

Burke says he wanted revenge against her, but seeing her again makes him feel inexplicably different. She owes him years of life he never had, love he never had.

He starts pawing her and doesn’t listen when she tells him no.

Roger bursts in with a gun.

  
        Cast, In Order of Appearance





Victoria Winters . . . . . . . . . . . . . . . . . . . . Alexandra Moltke

Sheriff George Patterson . . . . . . . . . . . . .  Dana Elcar

Roger Collins . . . . . . . . . . . . . . . . . . . . . .  Louis Edmonds

Laura Collins . . . . . . . . . . . . . . . . . . . . . .  Diana Millay

Carolyn Stoddard . . . . . . . . . . . . . . . . . . .  Nancy Barrett

Burke Devlin . . . . . . . . . . . . . . . . . . . . . . . Mitchell Ryan



Fashion by Ohrbach’s

Directed by Lela Swift

Written by Malcolm Marmorstein


Tuesday, January 3, 2017

Episode 134: From Flames to Ashes



Tuesday, January 3, 1967



Note: The episodes’ official numbering includes skipped numbers for pre-emptions, in accordance with their numbering system (so that one could look at the number of an episode and know what day of the week it aired on). I have elected to number the episodes by what episode it actually is, but I will note the official numbering also.

This is the 134th episode, but the official number is 137.

My name is Victoria Winters. There is a strange new presence at Collinwood, a presence that should be familiar—but isn’t. A presence that causes many to search their consciences.



Sam, fascinated by the flames of people lighting cigarettes at the Blue Whale, is surprised by Sheriff George Patterson. George is looking for Roger Collins.

After George leaves, Sam goes to the pay phone and calls Roger. (Roger is the one who answers too.)

Sam says he needs to show Roger something he doesn’t understand. (These two should give up and become friends.)

Carolyn comes down and says she’s off to get Laura’s things. Carolyn wonders whether Roger and Laura will get back together.

But what she really cares about is whether Burke will still be interested in Laura. Roger says it’s possible; Burke has a tremendous range. (From short blondes to tall blondes? Since they don’t know he kissed Vicki.)

They both leave to take their separate cars on their separate errands.

George calls and the phone rings and rings (although there are other people in the house, presumably).



Burke sees Sam at the Blue Whale and invites himself to sit down. He tries the old thing of pumping Sam for information. He tells Sam that he’s falling into a deep well, and if he doesn’t get out soon, the rope will come crashing down on him.

Burke says he has all the testimony he needs to wrap up this case. He doesn’t need Sam’s testimony, but he doesn’t want Sam to go to jail.

(Point: Why is Burke spilling all this to Sam when it will mess up Laura’s plan to get David? Because Burke cares about Burke. Still, it shouldn’t help to keep her on his side.

Roger comes in and Burke invites him over to the table for more posturing.

Roger advises him to stay away from Laura. Her struggle back to normalcy is more than Burke’s rehabilitation. Burke, because he knows everyone’s mental state, says she won’t crack.

Burke says Laura told him she wants David and a divorce. Why is she staying at the inn if there’s a reconciliation in the offing. Roger says she’s staying at Collinwood.

Carolyn comes in and corroborates that she went to get Laura’s things and that Laura is at Collinwood.

Roger and Sam both leave. Carolyn stays to sabotage herself. She says she’d hate for him to absentmindedly call her Laura while his mind is elsewhere.



Roger and Sam go back to Sam’s place.

Roger says Laura has too much to lose (David), but he will have to keep an eye on her and keep her away from Devlin.

Sam tells Roger about his painting. He shows it to Roger, who recognizes it as Laura. Appalled, he walks out over Sam’s objections.

Sam takes a knife and tries to cut the painting but can’t do it.



Carolyn notes that Burke’s got Laura on the brain. Burke absentmindedly tells Carolyn that when he’s with her, she’s the only thing on his mind. She says he should save it for the next time—or when it’s the truth.

Burke can’t believe Laura would share a room with Roger. Carolyn says no, she’s in the cottage.



Roger lets the sheriff in. He tells Roger that a body identified as Laura Collins was found burned to death in a fire in Phoenix.

        Cast, In Order of Appearance





Victoria Winters . . . . . . . . . . . . . . . . . . . . Alexandra Moltke

Sam Evans . . . . . . . . . . . . . . . . . . . . . . . .  David Ford

Sheriff George Patterson . . . . . . . . . . . . . Dana Elcar

Roger Collins . . . . . . . . . . . . . . . . . . . . . .  Louis Edmonds

Carolyn Stoddard . . . . . . . . . . . . . . . . . . . Nancy Barrett



Fashion by Ohrbach’s

Directed by Lela Swift

Written by Malcolm Marmorstein