Tuesday, October
25, 1966
My name is
Victoria Winters. Collinwood is a mansion with more than eighty rooms—but most
of them have been closed off for years, and their only visitors have been ghosts
and specters that locked doors cannot keep out—or in. As I have been kept a
prisoner by the treachery of a small boy who has told no one where I am, time
has seemed endless, and all I can do is sit—and wonder whether anyone will ever
come to my rescue.
Vicki continues to be trapped
in the closed-off wing of Collinwood.
“Well, kitten,” Roger says,
asking her why she’s been out so late on such a night.
“Not fit for man nor beast,”
she says. “Kittens love it.”
“Your mother was worried. She
was about to send a posse out to search for you.”
“She never would have found
me.”
“Are you as clever at hiding
as Vicki is?”
Carolyn wants to know what he
means, since she only worried about herself tonight—not her friend Vicki. She
remarks that it’s strange that Vicki hasn’t been seen. Roger wonders if she
could be at the Evans house. Carolyn, remembering to be angry and jealous over
Joe, says Maggie had other plans for the evening, confirms that they were with
Joe, and stalks off.
Joe is telling Maggie a story.
“It sounds like a Joseph
Conrad story. How did you get back in?”
“Well, we didn’t. Not that
night. They cut the engines off and we just drifted. Some of us sang songs. The
old men told their favorite stories. Everybody’d heard ’em a hundred times
except me.”
“Oh, I wish I’d been there.”
“Then we all realized that the
silence had sort of crept up on us. The sea was calm again and starting to get
light. And—with the sun rising, of course we got our bearings back. We returned
to port about, oh, five in the afternoon. It’d been quite a night.”
Maggie pronounces it a great
adventure and gets more coffee. Joe asks her why a boat is always called a she.
Maggie says that, like hurricanes (and women), they are unpredictable.
Joe grills Maggie on diesel
engines and rigging of a schooner’s sail, which she rattles off before asking
him about his boat, the one he wants to buy.
He tells her his partnership
fell through. She says if only her father had kept even a little of the money
he got for his big $15,000 painting sale years ago, they could have gone into
partnership with Joe.
But he blew all the money, so she’s going to snitch some
of his fine old brandy and properly lace their coffee—if Joe will join her.
He will. There’s only one
problem. “What will you do with a drunken sailor . . .” Joe begins to sing.
Maggie laughs.
Carolyn asks Roger to not tell her mother
something. He promises, with reservations. Carolyn tells him she was with
Burke. And she tells him that Burke and Sam were together.
Roger doesn’t understand why
Carolyn claims to care about him and still tries to be friendly with a man who’s
sworn to destroy him. Carolyn says Burke was completely different, and he and
Sam said it was a night of no enemies.
And they were singing to the
memory of a good friend whose ghost was seeking vengeance.
“Bill Malloy,” Roger says. “Did
they elaborate on this theory of ghost seeking vengeance?”
“No.” But Burke asked why
Vicki didn’t come, so that’s how she knows that he hasn’t seen her.
“That brings us back to the
mystery of Miss Vicki Winters. . . . It’s odd, isn’t it? She came to us out of
nowhere—”
“Well, but neither they nor
she knew who she really was. So, as I say, she came to us from nowhere, and now
it seems she’s disappeared into nowhere.”
Carolyn doesn’t think Vicki
has disappeared.
“Well, when a person is there one
minute and then not there the next minute, what would you call it?”
“Well, it’s very true. You
remember not long ago, how upset people got when Bill Malloy disappeared, but
there was a logical explanation for it.”
“Yes. He was dead. You don’t
think anything could have happened—“
He didn’t mean to put such an
idea into her head. Vicki probably just wanted to be alone. He thinks she’s not
far away.
Carolyn wants him to look for
her. He says he’s going to wait up but she should go to bed.
Maggie and Joe say good night.
He kisses her on the cheek. After he’s gone, she says, “Good night . . . pal.”
(Sam never made it back home for dinner, even though he rushed out at Carolyn and Burke early on, and Carolyn is back home at Collinwood, which is farther away. This will probably not be addressed.)
Roger turns down the lights
and gets a flashlight out of the drawer.
He decides this would be a good time to check out the secret passage in the drawing room.
He decides this would be a good time to check out the secret passage in the drawing room.
Roger goes through the
closed-off section with his flashlight.
He goes upstairs, through cobwebs, downstairs.
He goes up a spiral staircase.
He goes upstairs, through cobwebs, downstairs.
He goes up a spiral staircase.
Vicki wakes up and thinks she
hears a noise.
She calls out, asking if it’s David.
Roger hears her.
He sees the key that she knocked out of the lock.
He picks it up. She calls out, “Who
is it?”
She calls out, asking if it’s David.
Roger hears her.
He sees the key that she knocked out of the lock.
“Who’s out there?” she cries.
Then he takes a handy cane out
of a stand and runs it across the door. Then he puts on a weird voice and says,
“Victoria Winters, leave Collinwood. You are in danger here Go home. Go home.”
“Who is it?”
Roger unlocks the door.
She runs into his arms and
tells him it was David. “He’s a monster!”
She asks roger how he knew she was there. He says it was something David said.
She asks roger how he knew she was there. He says it was something David said.
She tells him there are ghosts
in Collinwood.
She saw a tall, shimmering one, dripping with seaweed, who warned her to leave Collinwood.
She saw a tall, shimmering one, dripping with seaweed, who warned her to leave Collinwood.
Cast,
In Order of Appearance
Victoria Winters . . . . . . . . . . . . . Alexandra
Moltke
Roger Collins . . . . . . . . . . . . . . .
Louis Edmonds
Carolyn Stoddard . . . . . . . . . . . . Nancy
Barrett
Joe Haskell . . . . . . . . . . . . . . .
. . Joel Crothers
Maggie Evans. . . . . . . . . . . . . . .
. Kathryn Leigh Scott
Fashion by Ohrbach’s
Directed by Lela Swift
Written by Francis Swann
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